Christopher Deane (1957-2021) held performance degrees from the University of North Carolina School of the Arts and the Cincinnati College-Conservatory of Music. He studied with James Massie Johnson, former principal timpanist of the St. Louis Symphony, and percussion with Allen Otte. He also studied independently with Roland Kohloff (New York Philharmonic), Eugene Espino (Cincinnati Symphony), and Leonard Schulman (New York City Opera).

Deane was formerly principal percussionist with the Las Colinas Symphony Orchestra and principal timpanist of the East Texas Symphony Orchestra. He was a frequent performer with the Dallas Wind Symphony and appeared on five recordings with that ensemble. Deane was the principal timpanist of the Greensboro Symphony for nine years and performed with the North Carolina Symphony for ten years. Deane also performed with the Boston Pops, Cincinnati Symphony, Dallas Opera, Dallas Symphony, Detroit Symphony, Fort Worth Symphony, Minnesota Orchestra, Spoleto Festival Orchestra, Utah Symphony and Virginia Symphony, working with such conductors as Leonard Slatkin, Loren Maazel, Andrew Litton, Jaap van Sweden, Jesus Lopez-Cobos, Gennady Rozhdestvensky, and Keith Lockhart.

His chamber-music experience included performances with the Percussion Group Cincinnati, Aeolian Chamber Players, Mallarme Chamber Players, and Philidor Percussion Group. He appeared in more than 70 performances as a concerto soloist with symphony orchestras or wind ensembles.

He was the faculty percussionist for the Bowdoin Summer Music Festival in Maine from 1982–89, where he worked closely with composer George Crumb, performing his music and serving as a consultant to Crumb for works including “Idyll for the Misbegotten,”“Quest,”and“Haunted Landscapes.” Deane served as a percussionist for the American Dance Festival from 1992–96. He also served as faculty percussionist for the Vale Veneto Music Festival in Brazil.

Deane recorded as a timpanist, percussionist, and Hungarian cimbalom soloist. He was a featured concerto soloist on two UNT Wind Symphony recordings featuring the concertos of Joseph Schwantner, Russell Peck, and William Kraft. Deane also recorded the music of Stravinsky with conductor Robert Craft for the Naxos Label, and recorded with the Detroit Symphony, North Carolina Symphony, Greensboro Symphony, Cincinnati Philharmonia, Mallarme Chamber Players, St. Stevens Chamber Orchestra, and Winston-Salem Symphony.

Deane won both first and second prize in the PAS Composition Competition. He studied composition with Sherwood Shaffer, Robert Ward, and Charles Fussell, and independently with Ben Johnston. He has received numerous commissions including from the Percussive Arts Society, University of Oklahoma, and the University of Kentucky. His music has been performed and recorded internationally, and a number of his compositions have become standard literature on concerts and recitals worldwide. Deane served two terms on the PAS Board of Directors. In 2019 he received the PAS Lifetime Achievement Award.