James Curnow was born in Port Huron, Michigan and raised in Royal Oak, Michigan where he received his initial musical training in the public schools and The Salvation Army Instrumental Programs in these cities. He lives in Nicholasville, Kentucky where he is president, composer, and educational consultant for Curnow Music Press, Inc. of Nicholasville, Kentucky, publishers of significant music for concert band and brass band. He also serves as Composer-in-residence (Emeritus) on the faculty of Asbury College in Wilmore, Kentucky, and is editor of all music publications for The Salvation Army in Atlanta, Georgia.

His formal training was received at Wayne State University, B.M. (Detroit, Michigan) and at Michigan State University, M.M (East Lansing, Michigan), where he was a euphonium student of Leonard Falcone, and a conducting student of Dr. Harry Begian. His studies in composition and arranging were with F. Maxwell Wood, James Gibb, Jere Hutchinson, and Irwin Fischer.

James Curnow has taught in all areas of instrumental music, both in the public schools (five years), and on the college and university level (thirty years). He is a member of several professional organizations, including the American Bandmasters Association, College Band Directors National Association, National Band Association and the American Society of Composers, Authors and Publishers (ASCAP). In 1980 he received the National Band Association’s Citation of Excellence. In 1985, while a tenured Associate Professor at the University of Illinois, Champaign-Urbana, Mr. Curnow was honored as an outstanding faculty member. Among his most recent honors are inclusion in Who’s Who in America, Who’s Who in the South and Southwest, and Composer of the Year (1997) by the Kentucky Music Teachers Association and the National Music Teachers Association. He has received annual ASCAP standard awards since 1979.

As a conductor, composer and clinician, Curnow has traveled throughout the United States, Canada, Australia, Japan and Europe where his music has received wide acclaim. He has won several awards for band compositions including the ASBDA/Volkwein Composition Award in 1977 (Symphonic Triptych) and 1979 (Collage for Band), the ABA/Ostwald Award in 1980 (Mutanza) and 1984 (Symphonic Variants for Euphonium and Band), the 1985 Sixth International Competition of Original Compositions for Band (Australian Variants Suite), the 1994 Coup de Vents Composition Competition of Le Havre, France (Lochinvar), commission through recognition of the KMTNA 1997 (On Poems of John Keats for String Quart), and Second Place in the 2001 International Trumpet Guild Composition Competition (Three Episodes for Trumpet and Piano).

Curnow has been commissioned to write over two hundred works for concert band, brass band, orchestra, choir and various vocal and instrumental ensembles. His published works now number well over four hundred. His most recent commissions include the Tokyo Symphony Orchestra (Symphonic Variants for Euphonium and Orchestra), the United States Army Band (Pershing’s Own, Washington, D.C.-Lochinvar, Symphonic Poem for Winds and Percussion), Roger Behrend and the DEG Music Products, Inc. and Willson Band Instrument Companies (Concerto for Euphonium and Orchestra), the Olympic Fanfare and Theme for the Olympic Flag (Atlanta Committee for the Olympic Games, 1996), the Kentucky Music Teachers Association/National Music Teachers Association in 1997 (On Poems of John Keats for String Quartet,) the University of North Carolina at Greensboro, Focus On Piano Literature 2000 (Three Episodes for Trumpet and Piano), Michigan State University Bands, John Whitwell, Director of Bands, (Ode And Epinicion), Dialogues for Saxophone Quartet, Winds and Percussion for the Capital Quartet of Washington, DC and the 2005 Falcone Festival Twentieth Anniversary honoring Mrs. (Beryl) Falcone (Fantasia di Falcone for Euphonium).

As a conductor, composer and clinician, Curnow has traveled throughout the United States, Canada, Australia, Japan and Europe where his music has received wide acclaim. He has won several awards for band compositions including the ASBDA/Volkwein Composition Award in 1977 (Symphonic Triptych) and 1979 (Collage for Band), the ABA/Ostwald Award in 1980 (Mutanza) and 1984 (Symphonic Variants for Euphonium and Band), the 1985 Sixth International Competition of Original Compositions for Band (Australian Variants Suite), and the 1994 Coup de Vents Composition Competition of Le Havre, France (Lochinvar).

Curnow has been commissioned to write over two hundred works for concert band, brass band, orchestra, choir and various vocal and instrumental ensembles. His published works now number well over four hundred. His most recent commissions include the Tokyo Symphony Orchestra (Symphonic Variants for Euphonium and Orchestra), the United States Army Band (Pershing’s Own, Washington, D.C.-Lochinvar, Symphonic Poem for Winds and Percussion), Roger Behrend and the DEG Music Products, Inc. and Willson Band Instrument Companies (Concerto for Euphonium and Orchestra), the Olympic Fanfare and Theme for the Olympic Flag (Atlanta Committee for the Olympic Games, 1996), the Kentucky Music Teachers Association/National Music Teachers Association in 1997 (On Poems of John Keats for String Quartet) and Michigan State University Bands (John Whitwell, Director of Bands) in honor of David Catron’s twenty-six years of service to the University and the University Bands (Ode And Epinicion).

Website: http://www.curnowmusicpress.com